|
Jean Malin Jean (sometimes Gene) Malin got his start as a female impersonator in the 20s, but his greatest success would come later as a noted emcee during the time of the short-lived and under-researched "pansy craze" of the early 30s. He died in 1934, accidentally backing his car off the Santa Monica pier; actress Patsy Kelly, who was with him at the time, survived. He left behind but two recordings, released posthumously and pressed in a single royal blue shellac 78, "That's What's the Matter With Me" and "I'd Rather Be Spanish Than Mannish." [Source: "Gay New York (Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940)" by George Chauncey] Below, from Vanity Fair, February 1931, Jean Malin at the Club Abbey
Malin Video Clip Malin appeared in at least two movies, and I've got a clip of him in "Arizona to Broadway" (1933), which starred James Dunn and Joan Bennett. Malin had an uncredited role as Ray Best, a female impersonator obviously intended to represent Mae West. To set up this scene, a gangster, Tommy Monk, wants to have a Broadway show so at gunpoint lures top performers of the day to take part. Also represented was Jimmy Durante and Ed Wynn. This is the earliest clip I know of a performance of an actual female impersonator. So
little survives about Jean Malin, so I'm sharing these two pics of
him, from a copy of
Below, (on the right) from promotional shots for the 1933 movie "Double Harness" Jean
Malin was originally cast in the role of a dress-shop owner for this
film,
another promotional shot, of a scene not in the movie
Below, from Richard Lamparski's very interesting book "Hollywood Diary: Twelve Untold Tales"
Below, NYT article reporting his death
Below, another Malin obituary
|